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‘Paintings on Stone: Science and the Sacred 1530-1800’ Review: A Bedrock of Artistic Ingenuity

[ad_1] St.Louis “Paintings on Stone: Science and the Sacred 1530-1800,” on display at the Saint Louis Art Museum, starts out strong, with “The Minions of Henry III” (c. 1570), a stunning image by an unknown artist in the Fontainebleau School, possibly Lucas of Heere. A close-cropped view of three effeminate men in profile, dressed in …

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